ROLE: SUPERVISING SOUND EDITOR / SOUND DESIGNER
SERVICES PROVIDED: SOUND SUPERVISION / SOUND DESIGN / SOUND EDITORIAL / ADR RECORDING
Mix Format: 5.1 Surround
Description: Fiction Feature Film (2016)
Director: Kevin Nash
Production Company: PaintLick Films
Sound Recordist – Andrew Rowe
Assistant Sound Effects Recordist – Alasdair Jones
Foley Artist – Franka Beck
Foley Mixer – Franziska Treutler
Foley Recorded at The Foley Factory
Re-Recording Mixer – Roland Heap
Re-Recording Mixer – Marc Specter
Sound Mixed at Sound Disposition
I supervised sound post; editing dialogue and sound effects and pre-mixing backgrounds and effects in 5.1 at my studio.
Andrew Rowe’s production sound was brilliantly recorded and as the film is very dialogue driven it meant we had a rock solid base to work from.
I bought Alasdair Jones on board to help with some of the sound effects field recording and worldising of group ADR.
The Foley Factory provided many layers of detailed foley and Roly Witherow composed a beautiful score.
Finally, I asked the very experienced and talented Roland Heap and Marc Specter to do the final mix at Sound Disposition, which was a great experience for myself and the director and bought a whole new layer of polish and quality to the soundtrack.