Feature Documentary
McCartney: The Hunt for the Lost Bass | Supervising Sound Editor & Dialogue Editor
Freelance for GF Soundscapes | Directed by Arthur Cary | Produced by Passion Pictures, Fremantle and BBC Film | 2026
Birds of War | Supervising Sound Editor & Dialogue Editor
Freelance for GF Soundscapes | Directed by Janay Boulos & Abd Alkader Habak | Produced by Sonja Henrici | 2026
World Cinema Documentary Competition at Sundance 2026 | Special Jury Award for Journalistic Impact at Sundance 2026
The Six Billion Dollar Man | Supervising Sound Editor
Freelance for GF Soundscapes | Directed by Eugene Jarecki | Produced by Charlotte Street Films | 2025
Official Selection at Festival de Cannes 2025 | Jury Special Prize for L’Œil d’or 10th Anniversary
Pizza Under Fire | Dialogue Editor
Freelance for GF Soundscapes | Directed by Adrian Pennink | Produced by Chimerica Media | 2025
Christy Brown: Self Portrait | Dialogue & Sound Effects Editor
Freelance for GF Soundscapes | Directed by Joel Verner | Produced by Averner Films for RTÉ | 2024
Strike: An Uncivil War | Supervising Sound Editor & Sound Effects Editor
Freelance for GF Soundscapes | Directed by Daniel Gordon | Produced by Very Much So | 2024
AMPS Awards Excellence in Sound for a Factual Film (Nomination) | Sheffield DocFest Audience Award
Making of an Activist | Dialogue Editor
Freelance for GF Soundscapes | Directed by Alexander Atta-Mora | Produced by Andscape for Hulu | 2024
Creation Story | Sound Effects Editor
Freelance for GF Soundscapes | Directed by Alastair Siddons | Produced by Quiet | 2024
Cecil | Dialogue Editor
Freelance for GF Soundscapes | Directed by Arthur Cary | Produced by Arrow Media for Film4 | 2023
Ship Of Dreams | Supervising Sound Editor & Re-Recording Mixer
Directed by Alexandra Boyd | Produced by Nick Loren & Elizabeth Yng-Wong | 2023
Red Herring | Sound Effects Editor
Directed by Kit Vincent | Produced by Edward Owles | 2022
BIFA Raindance Maverick Award (Nomination) | Raindance Awards Best UK Feature
Rebellion | Re-Recording Mixer
Directed by Maia Kenworthy & Elena Sánchez Bellot | Produced by Halcyon Pictures | 2022
BAFTA Outstanding Debut (Nomination) | BIFA Raindance Discovery Award (Nomination)
My Name Is Happy | Re-Recording Mixer (pre-mix only)
Directed by Nick Read & Ayse Toprak | Produced by October Films / Red Zed Films / Horovel Films | 2022
Grierson Awards Best Single Documentary – International
Night Burns Like Cigarettes | Supervising Sound Editor & Re-Recording Mixer
Directed by Elisabeth Felson | Produced by Steppenwolves Films | 2021
Raindance Awards Best UK Feature / Best Cinematography (Nomination)
Small Kingdom | Supervising Sound Editor & Re-Recording Mixer
Directed by Elisabeth Felson | Produced by Steppenwolves Films | 2019
TV Drama
Tommy and Tuppence (Episodes 1 & 2) | Sound Effects Editor
Directed by Fergus O’Brien & Ellie Haydon | Produced by Lookout Point for Britbox | 2026
Legends (Episode 6) | Sound Effects Editor
Created by Neil Forsyth | Produced by Tannadice Pictures for Netflix | 2025
Suspect: The Shooting of Jean Charles de Menezes (Episodes 2 & 3) | Sound Effects Editor
Directed by Paul Andrew Williams | Produced by Etta Pictures for Disney+ | 2024
RTS Craft & Design Awards 2025 – Sound – Scripted (Nomination)
Beyond Paradise Christmas Special | Sound Effects Editor
Freelance for Jumbuck | Produced by Red Planet Pictures for BBC | 2023
Feature Film
To A Cinder | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Henry Scriven | Produced by Ça Marche Media | 2022
Sorority | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by James Webber | Produced by The Springhead Film Company | 2020
The World We Knew | Supervisor, Sound Effects Editor and Re-Recording Mixer
Directed by WW Jones & Luke Skinner | Produced by Powis Square Pictures | 2019
Widow’s Walk | Supervisor and Sound Effects Editor
Directed by Alexandra Boyd | Produced by New Thirty Pictures | 2019
The Haunted | Supervisor and Dialogue & Sound Effects Editor
Directed by David Holroyd | Produced by Triple S Films | 2018
Waking David | Supervisor and Dialogue & Sound Effects Editor
Directed by Kevin Nash | Produced by PaintLick Films | 2016
TV Documentary / Factual / Entertainment
Secrets of the Lost Liners S2 (1 x 60’) | Dialogue & Sound Effects Editor and Re-Recording Mixer
Freelance for Directors Cut Films | Produced by Bossa Nova Media for Sky History | 2024
Anton and Giovanni’s Adventures in Spain (1 x 60’) | Dialogue & Sound Effects Editor
Freelance for Directors Cut Films | Produced by BBC Studios Entertainment for BBC | 2023
Emma Willis: Delivering Babies (1 x 60’) | Dialogue & Sound Effects Editor and Re-Recording Mixer
Freelance for MSVPost | Produced by Firecracker Films for UKTV | 2022
Traffic Cops (1 x 60’) | Dialogue & Sound Effects Editor and Re-Recording Mixer
Freelance for MSVPost | Produced by Mentorn Media for C5 | 2022
Mary Kay Letourneau: Notes On A Scandal (1 x 120’) | Dialogue & Sound Effects Editor
Freelance for Mahoney Audio Post | Produced by Arrow Media for Discovery | 2022
Magic of Disney’s Animal Kingdom (1 x 60’) | Dialogue Editor
Freelance for Mahoney Audio Post | Produced by Arrow Media for National Geographic / Disney+ | 2022
Love, Honor & Betray (3 x 60’) | Dialogue & Sound Effects Editor
Freelance for Mahoney Audio Post | Produced by Arrow Media for Discovery | 2022
Short Film
Born On Sunday Silent | Supervisor, Sound Effects Editor and Re-Recording Mixer
Directed by Eelyn Lee | Produced by Tyke Films | 2023
Sandwich Man | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Jessica Henwick | Produced by EMU Films | 2022
Honesty | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Roxy Rezvany | Produced by Somesuch | 2021
BIFA Best British Short (Nomination)