Feature Film
To A Cinder | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Henry Scriven | Produced by Ça Marche Media | 2022
Sorority | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by James Webber | Produced by The Springhead Film Company | 2020
The World We Knew | Supervisor, Sound Effects Editor and Re-Recording Mixer
Directed by WW Jones & Luke Skinner | Produced by Powis Square Pictures | 2019
Widow’s Walk | Supervisor and Sound Effects Editor
Directed by Alexandra Boyd | Produced by New Thirty Pictures | 2019
The Haunted | Supervisor and Sound Effects Editor
Directed by David Holroyd | Produced by Triple S Films | 2018
Waking David | Supervisor and Sound Effects Editor
Directed by Kevin Nash | Produced by PaintLick Films | 2016
TV Drama
Beyond Paradise Christmas Special (1 x 60’) | Sound Effects Editor
Freelance for Jumbuck | Produced by Red Planet Pictures for BBC | 2023
Feature Documentary
Making of an Activist | Dialogue Editor
Freelance for GF Soundscapes | Directed by Alexander Atta-Mora | Produced by Andscape for Hulu | 2024
Creation Story | Sound Effects Editor
Freelance for GF Soundscapes | Directed by Alastair Siddons | Produced by Quiet | 2024
Cecil | Dialogue Editor
Freelance for GF Soundscapes | Directed by Arthur Cary | Produced by Arrow Media for Film4 | 2023
Red Herring (BIFA nominated) | Sound Effects Editor
Directed by Kit Vincent | Produced by Edward Owles | 2022
Rebellion (BAFTA & BIFA nominated) | Re-Recording Mixer
Directed by Maia Kenworthy & Elena Sánchez Bellot | Produced by Halcyon Pictures | 2022
My Name Is Happy | Re-Recording Mixer (pre-mix only)
Directed by Nick Read & Ayse Toprak | Produced by October Films / Red Zed Films / Horovel Films | 2022
Ship Of Dreams | Supervisor, Sound Effects Editor and Re-Recording Mixer
Directed by Alexandra Boyd | Produced by Nick Loren & Elizabeth Yng-Wong | 2023
Night Burns Like Cigarettes | Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Elisabeth Felson | Produced by Steppenwolves Films | 2021
Small Kingdom | Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Elisabeth Felson | Produced by Steppenwolves Films | 2019
TV Documentary / Factual / Entertainment
Secrets of the Lost Liners S2 (1 x 60’) | Dialogue & Sound Effects Editor and Re-Recording Mixer
Freelance for Directors Cut Films | Produced by Bossa Nova Media for Sky History | 2024
Anton and Giovanni’s Adventures in Spain (1 x 60’) | Dialogue & Sound Effects Editor
Freelance for Directors Cut Films | Produced by BBC Studios Entertainment for BBC | 2023
Emma Willis: Delivering Babies (1 x 60’) | Dialogue & Sound Effects Editor and Re-Recording Mixer
Freelance for MSVPost | Produced by Firecracker Films for UKTV | 2022
Traffic Cops (1 x 60’) | Dialogue & Sound Effects Editor and Re-Recording Mixer
Freelance for MSVPost | Produced by Mentorn Media for C5 | 2022
Mary Kay Letourneau: Notes On A Scandal (1 x 120’) | Dialogue & Sound Effects Editor
Freelance for Mahoney Audio Post | Produced by Arrow Media for Discovery | 2022
Magic of Disney’s Animal Kingdom (1 x 60’) | Dialogue Editor
Freelance for Mahoney Audio Post | Produced by Arrow Media for National Geographic / Disney+ | 2022
Love, Honor & Betray (3 x 60’) | Dialogue & Sound Effects Editor
Freelance for Mahoney Audio Post | Produced by Arrow Media for Discovery | 2022
Short Film
Born On Sunday Silent | Supervisor, Sound Effects Editor and Re-Recording Mixer
Directed by Eelyn Lee | Produced by Tyke Films | 2023
Sandwich Man | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Jessica Henwick | Produced by EMU Films | 2022
Honesty (BIFA nominated) | Supervisor, Dialogue & Sound Effects Editor and Re-Recording Mixer
Directed by Roxy Rezvany | Produced by Somesuch | 2021